![]() ![]() Cult as shock and schlock cult as nostalgia cult as marginality cult as intensity and passion cult as marketing hype cult as fad and fashion cult as subversion cult as historical era marker. What initially drew our attention was that not only did cult film turn up in our conversations with great frequency, it also arrived in numerous guises. Spock ears in San Diego make us sit up and take more notice than if two showed up at a Starbucks in Paramus speaking Vulcan? We finally decided that the only way to seriously examine these and other pressing questions was to publish a special section on Cult Film. At what point, however, does this kind of behavior cease to seem quaintly quasipathological and begin to call to us as a significant spectacle? Is it a matter of the ferocity of their ardor? Or their numbers? Would 1,000 people attending a Star Trek convention wearing Mr. Other people tire of hearing them intone, “Eeelectricity!” or “Round up the usual suspects,” or “I never drink… wine,” but they perseverate and we screen them out. ![]() Most of us know at least someone who can’t get through a day without quoting from Twin Peaks: Fire Walk With Me, Casablanca, Dracula, or some other compulsively worshipped movie.
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